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PoemPart "Nothing Can Come Between Us"

Why Must U Be Unfaithful

The dedication is for women, the lecture for men: Tupac’s reckoning with selfish hearts and broken promises.

Book
The Rose That Grew from Concrete (1999)
Part
Nothing Can Come Between Us
Dedication
4 Women
Original text
not reproduced (copyright); see the book

The dedication reads “4 Women,” for women. Yet the opening line takes aim at the other side-with a single word in capital letters: “MEN!”. In Why Must U Be Unfaithful, Tupac settles scores with men who betray faithful partners. The poem appears in the second section of The Rose That Grew from Concrete, “Nothing Can Come Between Us”.

The Selfish Heart Has No Brain

The speaker advises men not to listen to their selfish hearts. It doesn’t really have a brain, he argues: aside from keeping the body alive, it is useless. He anticipates the accusation that this is mean and justifies his harshness: mortal men fall in love anew as quickly as they change their faces.

After that, he urges men to think of the hearts they have broken and of their empty promises. He concedes that women are not perfect either. Yet the question from the title stands: Why be unfaithful when her heart is true to you?

Between Personal Remorse and “Keep Ya Head Up”

In the context of the volume, the lecture gains a second layer. Just a few pages earlier appears Tears from a Star, dedicated “4 Me & April”: there, the speaker speaks of infidelity that has come to light and vows to stay pure in the future. Whether Tupac also meant himself in Why Must U Be Unfaithful, the text does not say. The proximity of the two poems suggests this reading-though it remains an interpretation.

The respectful view of women demanded by the poem was later revisited by Tupac in songs like Keep Ya Head Up (1993)—alongside other tracks that show a completely different image of women. This tension is part of Tupac’s work.

On the album The Rose That Grew from Concrete (2000), spoken-word artist Sarah Jones performs the poem as Why Must You Be Unfaithful?. It is not dated in the book; according to the preface, the poems date from the years 1989 to 1991.

More about the book and all the poems are gathered in the introduction.