PoemPart "Nothing Can Come Between Us"
The Mutual Heartache?
Better the heartache than the whole truth: in “The Mutual Heartache?”, Tupac fears overwhelming his lover with his own hardness.
- Book
- The Rose That Grew from Concrete (1999)
- Part
- Nothing Can Come Between Us
- Original text
- not reproduced (copyright); see the book
Even the typography carries doubt within it: there is a question mark after the title, printed exactly that way in the book. The speaker does not know whether the pain truly affects both of them. The poem The Mutual Heartache? belongs to the second section of The Rose That Grew from Concrete, “Nothing Can Come Between Us”, in which Tupac processes friendships, crushes, and breakups.
They Talk Alike and Still Do Not Understand Each Other
The poem begins with an innocent first encounter that unexpectedly turns into the person the speaker had long been searching for. Then comes the actual observation: both talk alike, both see the world similarly, and yet they do not understand each other. His lover does not understand his mumbling, and her view is clouded by naivety. This turns into a boundary he cannot cross “yet”.
Too Much of Him Would Frighten Her
The most powerful thought stands in the middle: there is too much of him that would frighten her. Because of that, he would rather live with the heartache than fully let love in. At the end, he turns the question around, wanting to know whether her pain is as sharp as his. He declares that he will never recover from this mutual heartache.
The Fear of Overwhelming Others with His Own Hardness
The fear of overwhelming others with his own hardness and past surfaces several times throughout the book. In In the Depths of Solitude, Tupac describes two souls in one breast; in A Love Unspoken, a love that must remain hidden. The Mutual Heartache? shows the same tension in the everyday reality of a young relationship: closeness is possible, but only up to the point where the speaker would have to reveal himself completely.
When the poem was written and to whom it is addressed is not documented. According to the preface by Afeni Shakur, all poems in the book date from the years 1989 to 1991. It carries no dedication.
More about the book and all poems in the introduction.